Getting an ensemble to phrase where we tell them to is pretty simple. But getting them to really understand the concept of phrasing can be challenging. For them to truly make that concept their own, they need to understand the why of phrasing as much as the where and how of doing so. My favorite way is to put these two pairs of sentences on the board and have the students read them silently, then aloud. “Let’s eat Grandpa!” versus “Let’s eat, Grandpa!” And “I like cooking my family and my car.” versus “I like cooking, my family, and my car.” After the uproarious laughter this causes, have them play a unison passage from a piece or exercise, putting phrases in various places to provide different “meanings.” In the future, hopefully, every time they need to decide about where – or where not – to breathe, they will think of Grandpa!

Peter Loel Boonshaft, Director of Education
KHS America

About the Author

Dr. Boonshaft, Director of Education for KHS America, is the author of the critically acclaimed best-selling books Teaching Music with Passion, Teaching Music with Purpose, and Teaching Music with Promise. He was honored by the National Association for Music Education and Music For All as the first recipient of the “George M. Parks Award for Leadership in Music Education.” Dr. Boonshaft was selected for the Center for Scholarly Research and Academic Excellence at Hofstra University in Hempstead, NY, where he is Professor Emeritus of Music.